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  <title>MA in Writing</title> 
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  <link>http://advanced.jhu.edu/ft/forum/index.cfm?forumid=1</link> 
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		<title>Ann Lamott -- March 23, 2007</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=132</link> 
		<pubDate>2007-02-27T19:23:54 -05.00</pubDate> 
		<dc:creator>Juan Gaddis</dc:creator>
   	    <slash:comments>1</slash:comments> 
		<description><![CDATA[ Ann Lamott, author of <b>Bird by Bird</b> will read from her new book <b>Grace (Eventually)</b> on Friday, March 23, 2007 at 7:00 p.m. at the Round House Theatre.  The event is ticketed (2 tickets with the purchase of a book or $12.00) and is sponsored by Politics and Prose.  Round House is next door to the AFI theater in downtown Silver Spring on Colesville Road.  For more details check out Politics & Prose's website at www.politics-prose.com ]]></description>
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		<title>Books on Writing</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=128</link> 
		<pubDate>2007-01-31T06:06:11 -05.00</pubDate> 
		<dc:creator>Mary Stojak</dc:creator>
   	    <slash:comments>1</slash:comments> 
		<description><![CDATA[ Seems like the more I know, the more I realize the more I don't know about writing!  When I've been looking for new things to try, I've been reading books on writing.  I've also found that when I'm feeling a bit dried up creatively, they can spark a new idea for something I've been working on.  Lately, I've been re-reading David Huddle's The Writing Habit.  (Seems like I get different things from these books when I read them again!)  This one has an excellent chapter on (of course) finding time to write.  The chapter on restraint has been of particular interest to me this time around, see these soft-landing stories all the time in the New Yorker.  Anyone else been reading any good books on writing lately?  Always looking for new ones. ]]></description>
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		<title>Philip K. Dick&apos;s New Book</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=127</link> 
		<pubDate>2007-01-29T12:58:52 -05.00</pubDate> 
		<dc:creator>Bob Jones</dc:creator>
   	    <slash:comments>1</slash:comments> 
		<description><![CDATA[ I picked it up a couple of weeks ago and was surprised to see it in the Science Fiction section in Columbia's Barnes & Noble store. After all, Voices From The Street is NOT a science fiction novel. In fact, it fits in very nicely with books like American Pastoral!! This book was written in 1952 and is one of the few literary fiction books Dick wrote. They were all turned down and had not been published until Tor Books decided to go with this one. And I'm glad they did. It's the story of a young man with a boring job and a failing marriage. His identity quest does not go well and that's as much of the plot as I want to give away. The story takes place during the McCarthy era and Dick really captured that feel. ]]></description>
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		<title>Idiots In The Machine</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=126</link> 
		<pubDate>2007-01-29T12:45:09 -05.00</pubDate> 
		<dc:creator>Bob Jones</dc:creator>
   	    <slash:comments>1</slash:comments> 
		<description><![CDATA[ My class break book was Edward Savio's Idiots In The Machine. It was Savio's first book and, in places, it shows, but overall I would recommend it especially to anyone who has read and enjoyed Toole's A Confederacy Of Dunces.<br />Idiot's protagonist, Noel "Satan" Dorobek, believes that wearing tinfoil on your head blocks harmful gamma rays and that there are inner earth societies. He becomes a celebrity because of it. ]]></description>
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		<title>Jim Crace</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=116</link> 
		<pubDate>2007-01-03T10:47:05 -05.00</pubDate> 
		<dc:creator>Eddie Jeffrey</dc:creator>
   	    <slash:comments>12</slash:comments> 
		<description><![CDATA[ Mark turned me onto Crace.  I just finished reading <i>The Devil's Larder</i> and was pretty blown away.  He's got this really compact style that's efficient yet colorful at the same time.  I mean colorful in that his descriptions are amazing, but he doesn't run off the page with anything.  He's pretty fond of listing things, which gives these layered effects to his descriptions, but his use of language is precise.  Unfortunately, I think <i>Larder</i> is out of print.  I think you can buy a used/new copy from "other" sellers at Amazon.com, but you can definitely pick up most of his stuff from Enoch Pratt or at the JHU library.  Anyway, he's worth looking into.<br /><br />P.S. Sorry, Victor, haven't gotten around to <i>The Sea</i> quite yet. ]]></description>
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		<title>John Banville</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=108</link> 
		<pubDate>2006-12-01T20:31:13 -05.00</pubDate> 
		<dc:creator>Victor Valcik</dc:creator>
   	    <slash:comments>22</slash:comments> 
		<description><![CDATA[ I recently read The Sea and was so overtaken with the book that I followed that with several earlier titles.  Banville just recently came out with a Noir detective book...don't know if it's in print in this country yet, but it's under a pseudonym.  But back to The Sea...Good vocabulary and I love how he interweaves a coming-of-age and a coming-of-death tale.  The sentences are interesting and the observations on human weakness are wonderful.  Human fraility is really well expressed.  Banville is the best find I've had in a few years.  Although, if you read a few of his books, you may consider him a one-trick-pony.  The Sea feels like a culmination and perfection of something he was trying to do in the previous titles that I read.  <br /><br />Interested to hear any thoughts on The Sea.<br /><br />Victor<br /><br />Just received the new Banville detective novel in the mail.  It's called Christine Falls by Benjamin Black.  After looking through the first chapter, it appears as though he reincarnated the character Quirke from Eclipse.  I have a feeling Banville had fun with this one. ]]></description>
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		<title>Francine Prose</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=87</link> 
		<pubDate>2006-09-24T21:45:32 -05.00</pubDate> 
		<dc:creator>Juan Gaddis</dc:creator>
   	    <slash:comments>8</slash:comments> 
		<description><![CDATA[ I am half way through Francine Prose's latest book and have been inspired with each chapter.  She invites you to slow down and savour the nuance of syntax, word choices, sentence structure, etc.  As a result I now have a very long list of books that I want to purchaset.  This book is excellent and I recommend it to everyone.  The reviews hinted that it would be a classic akin to E.M. Forster's Aspects of the Novel.  That's pretty impressive.<br /><br />She is going to be at the Smithsonian (actually the Navy Memorial) on Tuesday and at George Mason on Wednesday. <br /><br />Yours truly is the chair of the 2007 Washington Writers Conference and I have invited her to be our keynote speaker (she's accepted).  The conference is June 9 and typically Hopkins is a co-sponsor. ]]></description>
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		<title>Italo Calvino</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=85</link> 
		<pubDate>2006-09-22T13:46:24 -05.00</pubDate> 
		<dc:creator>Whitney Poole</dc:creator>
   	    <slash:comments>9</slash:comments> 
		<description><![CDATA[ I've been reading a lot of Italo Calvino lately.  For those of you who don't know him, he's an Italian author who writes stories with such extraordinary occurrences that they have been deemed 'fabulist.'  Invisible Cities, The Baron in the Trees, Cosmicomics, and Six Memos for the New Millennium provided me with glimpses into worlds that can exist only in literature.  I was hoping to see if anyone cared to comment on his work, and on a quote from him below.<br /><br />"In an age when other fantastically speedy, widespread media are triumphing and running the risk of flattening all communication onto a single, homogeneous surface, the function of literature is communication between things that are different simply because they are different, not blunting but even sharpening the differences between them, following the true bent of the written language."<br />-Italo Calvino, Six Memos for the Next Millennium ]]></description>
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		<title>In the New Yorker</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=74</link> 
		<pubDate>2006-09-06T09:49:38 -05.00</pubDate> 
		<dc:creator>Jerri Bell</dc:creator>
   	    <slash:comments>3</slash:comments> 
		<description><![CDATA[ I recently re-subscribed to the <i>New Yorker</i>.  For the longest time, I didn't like the stories that they were including.  When I lived in New York, I had no money; and it seemed like the magazine was aimed at people in some parallel New York, one in which I did not live.  So I stopped reading it.  But I enjoyed a couple of stories in my brother-in-law's subscription the last time I visited the City, and so I re-subscribed.  I found the stories in the last two editions really interesting.<br /><br />In the 04 September edition, Antonya Nelson's "Kansas" does a lot with allusions to <i>The Wizard of Oz</i>.  Poor reader that I am, I didn't "get it" until the last two paragraphs -- the story of how a family in Wichita reacts to a possible kidnapping was so engaging (hit my mother-of-two-small-children button?) that I totally missed everything beyond the basic plot the first time I read it.  Now I'm looking for enough time to re-read the story carefully to look for all the other things.  I really enjoy good allusions, and the combination of flat, hungover narrative with references to the movie version of <i>The Wizard of Oz</i> tickled me.  (It reminded me a little bit of a night on spring break of my junior year when a couple of film-major girlfriends and I put away an entire bottle of Virgin Islands rum, watched <i>The Wizard of Oz</i>, and then cabbed out into the wilds of Poughkeepsie to catch a midnight showing of "Rocky Horror Picture Show."  Ah, such were the early 'eighties!....)<br /><br />And I highly recommend Cate Kennedy's "Black Ice," in the September 11th edition of the magazine.  That story was a little more straightforward (I think!) -- but the ending really horrified me.  It shouldn't have been the surprise that it was, in retrospect.  It's foreshadowed perfectly in the incident with the narrator's father and scalding water.  The story seems to raise all sorts of interesting questions about human and animal nature, conservation, and social tension when a neighborhood starts to change.  I want to go back and re-read it, too.<br /><br />Three other items of interest:  <br /><br />1.  For those of you who are NOT children's book aficionadoes, this week's <i>New Yorker</i> cover is a take on a famous children's book, Mordecai Gerstein's <i>The Man Who Walked Between the Towers</i>.  Seems apt.<br /><br />2.  If anyone plans to be in New York the weekend of 06 October, there's a series of interesting-looking readings in a sort of festival format.  The authors include Tobias Wolff, Edwige Dantikat, and Tom Stoppard.  Unfortunately, too many good ones are scheduled at the same time -- 7PM on Friday night!  And the weekend seems a little light on poetry.<br /><br />3.  Alice McDermott's <i>After This</i> got a decent review (the critic busted her just a little on sentimentality) in the 11 Sep edition, too.  And supposedly the book was reviewed in the Sunday <i>Post</i>, but we were busy Sunday with a tree that fell in the front yard & took out the gutter above the bathroom window (that was a close call!), so I didn't pick up the paper.  Anyone seen that?<br /><br />Anyone else read the last two stories, or find anything else interesting in <i>New Yorker</i>? ]]></description>
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		<title>Eunoia</title>
		<link>http://advanced.jhu.edu/ft/forum/messageview.cfm?catid=16&amp;threadid=37</link> 
		<pubDate>2006-07-22T19:43:48 -05.00</pubDate> 
		<dc:creator>Eddie Jeffrey</dc:creator>
   	    <slash:comments>4</slash:comments> 
		<description><![CDATA[ Christian Bok must be recognized for the genius that he is.<br /><br />His book, Eunoia, which is the shortest word in the English language to contain all the vowels (aside from that unreliable double agent 'Y') and means 'beautiful thinking', is comprised of 5 chapters, each dedicated to only 1 vowel. This means that each chapter may only USE 1 vowel. Other limitations the author imposed:<br /><br /><br />All paragraphs are 12 lines long<br />Each chapter must address each of the following situations: the act of writing, nautical travel, the act of eating, "a prurient debauch, a pastoral tableau"* and "the text must also exhaust the lexicon for each vowel, citing at least 98 percent of the available repertoire."*<br /><br /><br />The book, taking Mr. Bok seven years to complete, is 112 pages long and was originally published in 2001.  I just heard about it, and will be purchasing a copy ASAP.  I was turned on to it by the June 2006 issue of HARPER'S in which they printed the entirety of the chapter 'I'.  This is a MUST have for anyone interested in those things we like to call 'words'. <br /><br />*Source: HARPER'S June 2006 ]]></description>
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